This Week in AG History — May 22, 1977
By Ruthie Edgerly Oberg
Originally published on AG News, 24 May 2018
Andrae Edward Crouch (1942-2015) was a gospel singer, composer, music producer, and pastor of New Christ Memorial Church of God in Christ (COGIC) in Los Angeles. As an 11-year-old preacher’s son, Crouch’s father asked him, “Andrae, if the Lord gives you the gift of music, will you use it?” Young Andrae replied, “Yeah, Daddy. I’ll play for the Lord.”
That week Crouch’s mother bought him a cardboard keyboard to learn some fingering techniques. According to a 1977 interview published in the Pentecostal Evangel, two weeks later his father called him to the church piano and said, “If you’re going to play, then play!” The song the church was singing was What A Friend We Have in Jesus and Andrae begin to hit different notes until he found one that sounded right. He remembered, “In our churches they sing in any key, you know, and just take off without a songbook. And there was, oh, it was just really a touch of God, and I knew that He had a plan for my life.”
Andrae and his twin sister, Sandra, spent their childhood singing in their father’s church and in community choirs, including one led by gospel musician, James Cleveland. When they were 14 years old, Andrae and Sandra were invited to Cleveland’s home for a barbeque. Andrae recalled looking up to Cleveland and thinking, I wish I could write a song. Watching the adults pour the large vat of barbeque sauce over the ribs, it reminded Andrae of the blood of Jesus and he begin to sing, “The blood that Jesus shed for me way back on Calvary, the blood that gives me strength from day to day, it will never lose its power.” Sandra wrote the words down but Andrae wasn’t happy with it and threw it in the trash. Sandra said, “Andrae, that was a good song!” She dug it out of the trash can, and kept it.
In 1965, Crouch was attending the annual COGIC conference when the speaker asked, “Is there anyone here that wants to be used of God?” Crouch responded to the altar call and after the service several young men came up to him and said, “Hey, we’ve heard you play at your dad’s church. Would you come over and play for us at Teen Challenge?” Upon learning that Teen Challenge was a rehabilitation center for drug addicts, Crouch tried to put them off by saying, “Maybe I’ll come over sometime.” They responded with, “Come by tonight.” Andrae went with them but had no desire to work with them. Yet on the way home he kept hearing an addict’s choir singing in his head. After a long prayer session, Crouch felt God telling him to sell the car he loved, quit his job, and go to Teen Challenge to start a traveling choir of former drug addicts.
Alongside his work with the choir at Teen Challenge and at his father’s church, Crouch starting singing locally with a group of friends who called themselves “The Disciples.” In 1969, Ralph Carmichael, a Pentecostal record producer, heard them and invited them to a session to record an album, Take the Message Everywhere. Thirteen years after Sandra pulled Andrae’s first attempt at songwriting out of the trash can, listeners heard on the airwaves the song, The Blood Will Never Lose Its Power.
Crouch soon left Teen Challenge and began traveling full time in music ministry, including an early engagement with a traveling evangelist who took him on a world tour just a few short years after his first album, giving a wide audience to the musician and songwriter whose popularity was burgeoning. By 1973, Crouch had recorded a live album at Carnegie Hall and in 1975 appeared with Billy Graham at a televised crusade in New Mexico.
The impact of Andrae Crouch’s influence on contemporary Christian music in the 1970s and forward is impossible to quantify. For the first time, mainstream Christian radio stations were playing music performed by a black man for white audiences on a large scale. Crouch’s concerts drew both black and white audiences at a time when most concerts were segregated whether by intention or not.
Today Crouch’s songs, such as Bless the Lord, O My Soul; My Tribute (To God Be the Glory); and Through It All can be found in most contemporary hymnals. Few musicians can say they had both the respect of evangelist Billy Graham and the respect of pop-icon Michael Jackson, whose public memorial service included Crouch’s choir singing his song, Soon and Very Soon.
When he died in 2015, he had won eight Grammy awards and had an Oscar nomination for his music on the movie, The Color Purple. Despite the fame and fortune, Andrae Crouch remained in the COGIC ministry and, along with his sister, Sandra, served as co-pastor of the church his father founded in Los Angeles. Broadly speaking, Andrae Crouch was one of the most widely influential Pentecostal ministers of the 20th century.
Read more about David Mainse’s interview with Andrae Crouch for Turning Point TV program on page 20 of the May 22, 1977, issue of the Pentecostal Evangel.
Also featured in this issue:
• “Just Waiting,” by Carolyn G. Tennant
• “Tooling Up for the Unfinished Task,” by Thomas F. Zimmerman
• “The Ex-Smuggler,” by Rachel Petersen, missionary to the Dominican Republic
And many more!
Pentecostal Evangel archived editions courtesy of the Flower Pentecostal Heritage Center.
Do you have Pentecostal historical materials that should be preserved? Please consider depositing these materials at the Flower Pentecostal Heritage Center (FPHC). The FPHC, located in the Assemblies of God national offices, is the largest Pentecostal archive in the world. We would like to preserve and make your treasures accessible to those who write the history books.
Flower Pentecostal Heritage Center
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